A Paixão de Cristo - The Passion of the Christ

 

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Jesus, no filme "A Paixão de Cristo", de Mel Gibson

"In the end, Jesus films are about the meaning of Jesus, not about the reality of Jesus. While the depiction of Scripture, as well as the appeal to history, tradition and theology, help authorize the scenes added into the film, it is the additions that impose their meaning upon Scripture and not vice-versa. And together, both types of scenes convey the filmmakers' message about the meaning of Jesus to the modern world": Paul V. M. Flesher and Robert Torry, Filming Jesus: Between Authority and Heresy, SBL Forum, March 2004. 

O controvertido filme A Paixão de Cristo - The Passion of the Christ -, de Mel Gibson, Icon Productions, 2004, está provocando intenso debate, emoção, reflexão. Aqui, alguns links, dispostos em ordem alfabética, para você acompanhar e opinar sobre esta polêmica.

ADL and Mel Gibson's "The Passion of the Christ" - Frequently Asked Questions Anti-Defamation League (ADL) 
Advogado pede proibição de "A Paixão de Cristo" no Brasil Folha Online - 09.03.2004 - 16h50
A Judaic Reading of the Passion Narratives for Mel Gibson to Consider By Jacob Neusner - Bible and Interpretation - March 2004
An Unacknowledged Passion By Mark A. Chancey - Bible and Interpretation - March 2004
"A Paixão de Cristo" passa de 1 milhão de espectadores e amplia circuito  Folha Online - 25.03.2004 - 18h26
A Review of the Passion By Jason Byassee - Bible and Interpretation - April 2004
Biblical Allusions, Biblical Illusions: Hollywood Blockbuster and Scripture By Nicola Denzey - Society of Biblical Literature (SBL) Forum - March 2004
Comunidade judaica brasileira se posiciona contra "A Paixão de Cristo" Folha Online - 11.03.2004 - 17h12
Crítica: Jesus não salva, vende Por Inácio Araujo - Crítico da Folha de S. Paulo - Folha Online - 19.03.2004 - 03h32 
D. Geraldo Majella e Sobel divergem sobre "A Paixão de Cristo" Folha Online - 11.03.2004 - 07h51
Dossier Spécial: La Passion du Christ, film de Mel Gibson Église Catholique en France - Conférence des Évéques de France - Mars-Avril 2004
Estreia de "A Paixão de Cristo" ganha lágrimas e críticas Folha Online - 20.03.2004 - 08h12
Filme de Gibson não ultrapassa sentimento tradicional Por Roberto Romano - Especial para a Folha de S. Paulo - Folha Online - 19.03.2004 - 04h43
Filme de Mel Gibson divide igrejas alemãs Deutsche Welle - 18.03.2004
Filme de Mel Gibson estreia amanhã no Brasil Folha Online - 18.03.2004 - 21h32
History is Beside the Point: Deconstructing Mel Gibson’s "The Passion of the Christ" By Jacques and Carol Krie - Bible and Interpretation - July 2004
“I Didn't See Any Anti-Semitism” 
Why Many Christians Don’t Have a Problem with The Passion of the Christ
By Mary C. Boys - Cross Currents - Vol. 54 No. 1 - Spring 2004
Inter-Jewish Conflict and the Passion of Jesus By Anthony J. Tomasino - Bible and Interpretation - April 2004
JR&F, Volume 8, Special Issue Number 1, February 2004 - Exploring Mel Gibson's The Passion of the Christ The Journal of Religion and Film - Department of Philosophy and Religion, University of Nebraska at Omaha
Mel Gibson promove "fundamentalismo capitalista" Por Márcio Seligmann-Silva - Especial para a Folha de S. Paulo - Folha Online - 19.03.2004 - 05h05 
Mel Gibson’s Passion Play  By Bruce Chilton - Bible and Interpretation - March 2004
Mel's Jesus: A "Real Man" or Just a Toon?  By Paul V. M. Flesher - Bible and Interpretation - March 2004
O Cristo polêmico de Mel Gibson Por Alcino Leite Neto - Folha Online - 14.02.2004
Polêmica faz ferver sangue de "A Paixão de Cristo" Por Pedro Butcher - Crítico da Folha de S. Paulo - Folha Online - 19.03.2004 - 03h07
Reconstrução do aramaico beira a perfeição em filme de Gibson Por Reginaldo Gomes de Araújo - Especial para a Folha de S. Paulo - Folha Online - 19.03.2004 - 04h08
Review of Mel Gibson's The Passion of the Christ By Jim Davila - PaleoJudaica.com - April 2004
Some Critical Comments on Mel Gibson's movie The Passion of Christ in the Light of Historical Criticism By Dr. Gerd Lüdemann - Bible and Interpretation - March 2004
The Passion of Cinema By Carey Monserrate - Cross Currents - Vol. 54 No. 1 - Spring 2004
The Passion of the Christ National Council of Churches USA
"The Passion of the Christ" Mel Gibson Movie - Articles, Study Guides, & Opinions The Text This Week - By Jenee Woodard
The Passion, Pornography and Polemic: In Defense of The Passion of the Christ By Mark Goodacre - Bible and Interpretation - April 2004
The Problem of the Cinematic Jesus By W. Barnes Tatum - Society of Biblical Literature (SBL) Forum - March 2004
Versão de Mel Gibson para "Paixão de Cristo" revolta religiosos Folha Online - 22.02.2004 - 02h32
Visto por mais de 4,7 mi, "A Paixão de Cristo" é o 1º no Brasil Folha Online - 14.04.2004 - 16h10
 

"The point, of course, is that the Gospels themselves are no more 'anti-Semitic' than are the Dead Sea Scrolls — or Isaiah or Jeremiah or the writer(s) of Deuteronomy, once they are in full voice. They are read as indicting 'the Jews' because they are read through the contra Iudaeos tradition. This reading, enshrined in centuries of church teachings and Christian interpretation, makes the Gospels seem anti-Semitic, because they are read as a blanket condemnation of the Judaism of Jesus' contemporaries. This reading forgets that the historical Jesus was a first-century Jew engaged in disputes with other first-century Jews over issues important in first-century Judaism. Later Gentile Christian retrospect turned the theological Jesus into the founder of the Gentile Christian church. His native Judaism thus shifted from being his historical context to being hisPaula Fredriksen is the William Goodwin Aurelio Professor of the Appreciation of Scripture, Boston University School of Theology, MA, USA.   theological contrast (...) Gibson, in his script, picked and chose from among all four gospels — an element here, an instance there — creating from his montage a fifth 'gospel' that has never existed. The contra Iudaeos tradition informed his interpretation of gospel materials and his selections from them. This misreading of the gospels is of a piece with his historical misrepresentations of Roman Judea. Goofs of this latter kind are typical of the celluloid Biblical genre: no Hollywood Bible story known to me is faultless in this regard. But Gibson's errors, all of which tend in a particular direction, are compounded by several factors. The first is that he has insisted, loudly and often, that his film is the most historically accurate of any Jesus-film ever made. In our culture, to claim that something is 'historically accurate' is to claim, 'This is what really happened.' Viewers watching his movie are invited to see its (erroneous) ancient languages, its idiosyncratic selection of gospel themes, and its simulacra of pain and blood as attesting to its 'realism.' They are thereby encouraged to think that the story they are watching is, somehow, also 'what really happened'", says Paula Fredriksen, History, Hollywood, and the Bible: Some Thoughts on Gibson's Passion, SBL Forum, March 2004.

 

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